Programs

Pierre Boulez: Une page d'éphéméride

"Mr. Kigawa is always a poised guide through the most daunting music, as in his preternaturally unruffled evening-length survey of Pierre Boulez’s complete solo piano works." - Zachary Woolfe - The New York Times

"Playing with suavity and nuance, Taka Kigawa took the stage at Le Poisson Rouge last August with a daunting program: all of Pierre Boulez’s works for piano solo." - Zachary Woolfe, The New York Times

"To hear all these works in a single concert — all together lasting two hours, with intermission — was truly to feel immersed. From the kaleidoscopic “12 Notations,” composed in the mid-1940s, to the eerie reverberations of “Une Page d’Éphéméride” (2005), by way of the three sonatas and “Incises” (1994), the music seemed to unravel in a single grand expanse. Mr. Kigawa emphasized the consistency of Mr. Boulez’s style across time, giving the lie to some who have commented on a more sensual, less arduous feel in the later works. The recital answered strongly: His piano music has always been sensual, and it’s never been particularly arduous to listen to." - Zachary Woolfe, The New York Times

"The powerhouse pianist Taka Kigawa, who was on hand to play all of Pierre Boulez’s piano music—three Sonatas, the Notations and a few smaller works, 90-minutes of densely abstract music, all told—in one sitting, with no intermission, and from memory." - Allan Kozinn, The Wall Street Journal

"Mr. Kigawa’s sharp-edged, exquisitely transparent rendering of the Boulez canon (which won whistles and shouts) was offered." - Allan Kozinn, The Wall Street Journal

"This dynamic pianist has been especially acclaimed for his interpretations of daunting contemporary music. He has long made the solo piano works of Pierre Boulez a specialty in performances that bring out the exhilarating energy and myriad colorings in these fiercely difficult scores. In anticipation of Mr. Boulez’s 90th birthday in March, Mr. Kigawa has been on tour playing the complete Boulez pieces for solo piano in a single recital." - Anthony Tommasini, The New York Times